A drawing by Jacob Jordeans of an attractive subject, it shows the artist at his most fluent in his description of movement and composition. The subject does not appear in any other drawings by him. While his drawing style does not change very much after his earliest period, the mastery of the way he relates the figures to each other suggests that it was an idea that he considered in the 1640’s, when after the death of Rubens in 1640, he became the foremost living Flemish painter.
Jordaens produced two large paintings of 'The Apostle Peter finding the tribute money in the fish’s mouth' (Rijksmuseum and Kunstmuseet, Sweden), which have a similar strong horizontal composition. It appears likely that this finished drawing was an idea for a painting, which was never realized.